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About Nathan Brooks

Whilst I can appreciate any genre, my heart will always belong to psychedelic rock, thanks to bands like Tame Impala awakening my love for music.
Latest Posts | By Nathan Brooks
Album Review: Muse – The 2nd Law
4 years ago

Album Review: Muse – The 2nd Law

By  •  Reviews

English rock band Muse’s 2009 album The Resistance blew everyone’s heads off. It’s a masterclass in stadium shaking bombast. Every track makes me want to go to the houses of parliament and punch the nearest politician in the nose. How on earth they were going to top it was beyond anybody. So their sixth studio album,The 2nd Law (released in 2012), had a lot to live up to.
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Album Review: Miike Snow – iii
4 years ago

Album Review: Miike Snow – iii

By  •  Reviews

Whenever anybody complains about pop music being all a load of rubbish, two bands pop (ha, see what I did there?) into my head to contradict that: Animal Collective and Miike Snow. Admittedly the former is probably only classified as pop (or experimental pop, rather) because they’re too weird to properly define, but the latter, Miike Snow, are without a doubt a pop band.
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Album Review: GUM – Glamorous Damage
4 years ago

Album Review: GUM – Glamorous Damage

By  •  Reviews

Jay “Gumby” Watson is a multi-instrumentalist, touring member of the Australian neo-psychedelic band Tame Impala and a member of another Australian neo-psychedelic band, Pond. On his own, he goes by the fittingly bizarre moniker GUM. Glamorous Damage, released in November 2015, is his second solo album. What does it sound like? Imagine Daft Punk. On drugs.
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Album Review: Tame Impala – Lonerism
4 years ago

Album Review: Tame Impala – Lonerism

By  •  Reviews

Tame Impala sound like a band. The music they produce has many different layers of sound to it and it is incredibly complex. Technically they are a band live, but all the recordings you hear on the actual albums are done entirely by one guy. Kevin Parker, a multi-instrumentalist from Perth, Australia, writes, performs, produces and mixes all of the music, but it doesn’t sound like it. You’d expect to hear just a lone performer strumming away timidly on his acoustic guitar, but you don’t. You hear electric guitars and synthesisers playing beautiful melodies, face melting basslines and captivatingly intricate drum beats across all of his music.
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