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Before you go into this review looking for a objective, neutral and fair evaluation of one of David Byrne’s late-career albums, an album you’ve probably never heard of but are willing to read a decent appraisal of, in a fashion that lays out the facts bare and for all to see so that you, the reader, can form your own opinion as to whether to listen to it based on the review – before you’ve done all that, be warned:
Ever since reforming in 2010, ’90s legends Suede have been on an absolute roll. After re-establishing their place in the alt-rock scene with 2013’s Bloodsports, the band then moved slightly left field for 2016’s Night Thoughts, resulting in their most acclaimed album since 1994’s Dog Man Star. Now Suede are back to complete their comeback triptych with The Blue Hour. During its promotion, the band hinted this record would be an even deeper dive into their experimental side, embracing their typically dark themes with extra indulgence. Given the success this formula brought Night Thoughts, it was an exciting prospect. Few bands have been so consistently great this late in their career. Could Suede make the hat-trick?
“It’s about the problem of being monogamous; wanting to be in a loving and monogamous relationship but being tempted away from it.” In a 1990 interview regarding their latest single So Hard, Neil Tennant just happened to fall on the best description of their latest album in the process.
We’re pleased to reveal that we’re running some special Rockhaq Workshops at Everybody’s Reading Festival 2018. A very big thanks to Paul and Elaine at Leicester City Libraries and Kim at Oadby Library for their support and time to help us run these upcoming writer’s workshops.
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