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Since September 2018, Nick Cave has been communicating with his fans through the Red Hand Files, a website now home to over ninety funny, beautiful and insightful letters from the seasoned Australian bard. The sixth issue of the Red Hand Files sees Cave answer a fan’s question about communicating with the dead. “I have experienced the death of my father, my sister, and my first love in the past few years and feel that I have some communication with them, mostly through dreams,” the question begins. “They are helping me. Are you and (your wife) Susie feeling that your son Arthur is with you and communicating in some way?” “I feel the presence of my son, all around, but he may not be there,” Cave responds. “These spirits are ideas, essentially. They are our stunned imaginations reawakening after the calamity. Like ideas, these spirits speak of possibility. Follow your ideas, because on the other side of the idea is change and growth and redemption.”
The booklet for The Slow Rush – the latest album from the Australian psych-pop project Tame Impala – consists of the song lyrics scrawled over a calendar from 1992. This is just one of the many ways Kevin Parker’s fourth album as Tame Impala is obsessed with time. The album’s playfully oxymoronic title is another obvious one, but from the opening track One More Year to the closing song One More Hour, The Slow Rush is immersed in time.
We had a great start to this year’s Club Rockhaq workshops just over a week ago. Nearly all places are now fully booked too. Read on to find out more about what happened and how you can get involved.
Our first workshop of 2020 kicked off with a thorough review-planning and writing session. Last year we had some great music being covered in our reviews and we’re pleased to see a very wide range of artists being covered again. So what happened?
On the plastic sleeve for the vinyl of Vulnicura, computer generated and mutating, Björk lies with her back stretching over a rock. A crevice splitting her chest, she is the embodiment of pain. As if all of nature’s might has physically and emotionally cracked her in two. Broken and bleeding, she holds her mouth ajar, a silent scream hits you as hard as the rock that surrounds her. It’s one of the most visceral and daring album covers in her discography and, now five years old, it remains one of the most visceral and daring albums of her career.
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