Music reviews of bands and artists from Rockhaq
Despite being barely seven years into their career, Australian septet King Gizzard & The Lizard Wizard are already one of the most prolific bands in neo-psychedelia. By the end of 2016, they had eight albums to their name. By the end of 2017, they’re planning to have five more. Flying Microtonal Banana is the first of these and it’s easily the most fascinating record they’ve put out so far.
As soon as I typed out the name ‘Babymetal’ in my word document, I immediately realised the amount of constructive criticism that I was going to receive from my Rockhaq peers. Babymetal are a Japanese pop metal group composed of Suzuka Nakamoto (Su-metal), Yui Mizuno (Yuimetal) & Moa Kikuchi (Moametal). The trio have somewhat grown to become a peculiar phenomenon within the metal community due to their controversial approach to the genre. Metal Resistance is the sophomore album to their self-titled record Babymetal.
In case you’ve been living under a rock for the last couple of months, La La Land is one of the films that has been generating serious Oscar buzz this year due to the way it’s resurrecting the musical genre. La La Land’s theme is about two artists who are striving to achieve their dreams in life: Sebastian (Ryan Gosling) a pianist who is deeply passionate about jazz and Mia (Emma Stone) who is an aspiring actress.
Californian indie rock duo Foxygen is vocalist Sam France and multi-instrumentalist Jonathan Rado. That’s excluding the Flaming Lips’ Steven Drozd, Brian and Michael D’addario of the Lemon Twigs and the forty-piece orchestra who’ve also joined them for their latest studio album Hang. Their previous studio effort – the sprawling …And Star Power – was regularly underwritten, poorly recorded and sloppily performed, never justifying its 82-minute length. Hang, however, barely exceeds 32-minutes, yet it packs significantly more of a punch.
It’s hard not to be a little jealous of Donald Glover, A.K.A. Childish Gambino. The Atlanta born rap artist, actor, writer and former YouTube star has experienced a meteoric rise to fame in an incredibly short amount of time.
Back in 2011 when Blink 182 announced they were back with a brand new album called Neighborhoods it looked promising that the San Diego trio had mended their fragmented friendships and were here to stay with us. However in 2016 when Blink 182 confirmed they were going to continue making music without co-founder Tom DeLonge, there were doubts that had me obsessing over how the end result would turn out.
Album Review: David Bowie – Blackstar by Nathan Brooks
My original intent was to review the new Childish Gambino album, but, as January 1st 2017 creeps ever closer, I feel it’s only appropriate to look at the final record from one …
Album Review: Nicholas Allbrook – Pure Gardiya by Nathan Brooks
Immigration has been a controversial topic for a while, but thanks to the combined forces of the refugee crisis, Brexit and Donald Trump, the debate is more heated than ever. …
Album Review: Anderson/Stolt – Invention of Knowledge by Nathan Brooks
I don’t get on well with modern progressive rock. Contemporary prog bands appear to have little interest in actually progressing rock. Instead, they’re content with recording uninspired attempts to relive …
Less is more; a saying found in fortune cookies from Chinese takeaways across the country. Evidently, Yes don’t eat much Chinese food. After scoring two home runs in 1971 and 1972 with Fragile and Close to the Edge, Yes felt it was time to go bigger. Literally bigger. In 1973, Yes released their sixth album Tales From Topographic Oceans, boasting a staggering 81 minute running time. Nearly double that of Pink Floyd’s legendary album The Dark Side of the Moon, and monstrous compared to the mere 37 minutes of Close to the Edge. But is bigger better? And if less is more, is more less?