Album Review: David Bowie – Blackstar December 28, 2016 | Nathan Brooks
Album Review: Muse – The 2nd Law July 7, 2016 | Nathan Brooks
Live Review: Black Sabbath, Download Festival, 11 June 2016... June 26, 2016 | TakeABow30
Album Review: Tame Impala – Lonerism May 31, 2016 | Nathan Brooks
Album Review: Kendrick Lamar – To Pimp A Butterfly... May 30, 2016 | Abaan12
Album Review: Green Day – American Idiot May 29, 2016 | amig910
Prince: A Musician Can Define Lives April 29, 2016 | Veena Shaunak
Opinion: Do Musicians Who Turn Reality TV Judges Lose Credibility?... July 12, 2012 | Sam Brookes
Review: Tyler the Creator – Goblin May 28, 2012 | Sam Brookes
Music For The Jilted Generation came two years after The Prodigy’s debut album, Experience. Although it was a debut very much of its time, Experience has so many layers and facets to it, so much awareness of the type of samples used, that you cannot just dismiss it as ‘kiddy rave’. AC/DC mingles with LuLu, Kate Bush with Aswad, Run DMC and Arthur Brown. It’s all chaotic, hyper experimental and very, very British. The large succession of single releases from Experience meant that critics did write it and the band off though.
Despite being barely seven years into their career, Australian septet King Gizzard & The Lizard Wizard are already one of the most prolific bands in neo-psychedelia. By the end of 2016, they had eight albums to their name. By the end of 2017, they’re planning to have five more. Flying Microtonal Banana is the first of these and it’s easily the most fascinating record they’ve put out so far.
As soon as I typed out the name ‘Babymetal’ in my word document, I immediately realised the amount of constructive criticism that I was going to receive from my Rockhaq peers. Babymetal are a Japanese pop metal group composed of Suzuka Nakamoto (Su-metal), Yui Mizuno (Yuimetal) & Moa Kikuchi (Moametal). The trio have somewhat grown to become a peculiar phenomenon within the metal community due to their controversial approach to the genre. Metal Resistance is the sophomore album to their self-titled record Babymetal.
In case you’ve been living under a rock for the last couple of months, La La Land is one of the films that has been generating serious Oscar buzz this year due to the way it’s resurrecting the musical genre. La La Land’s theme is about two artists who are striving to achieve their dreams in life: Sebastian (Ryan Gosling) a pianist who is deeply passionate about jazz and Mia (Emma Stone) who is an aspiring actress.
Time and Music are both funny things. Before I got into my first band at the age of 11 (Busted, if you must know) I would always get a strong feeling of irritation and discomfort when my mum listened to the radio. I can’t explain my discomfort in words, (maybe it was a sense of taste as my parents listened to a lot of ‘chill out’ music. Cringe), however I do have a strong memory of Madonna’s La Isla Bonita playing in my mum’s car as we pulled out of Asda’s carpark and just feeling annoyed by it. Fast forward twenty years and I listen to Madonna while I wash up.
Californian indie rock duo Foxygen is vocalist Sam France and multi-instrumentalist Jonathan Rado. That’s excluding the Flaming Lips’ Steven Drozd, Brian and Michael D’addario of the Lemon Twigs and the forty-piece orchestra who’ve also joined them for their latest studio album Hang. Their previous studio effort – the sprawling …And Star Power – was regularly underwritten, poorly recorded and sloppily performed, never justifying its 82-minute length. Hang, however, barely exceeds 32-minutes, yet it packs significantly more of a punch.